The masters have told us that there is nothing more sacred than the "holy of holies" of a person's faith or religion. This is why we should take great care to allow people to pursue their beliefs until they conclude on their own that maybe there is more to the truth than they at first realized.
Our ability to tolerate views we may see as incorrect is as important as promoting the things we believe in with a sense of non-attachment to how others perceive it.
The movie AGORA reminds us how powerful an attachment to our beliefs can be and how readily people can become angry and violent when faced with challenges to their beliefs.
Hypatia
As we transition into the age of Aquarius with all of its attendant change, I think we will see many long-held beliefs and traditions challenged as God moves us higher. As this happens, we should be prepared to maintain our harmony, especially in the presence of others so that we may be a calming influence when uncertainty or confusion should appear. I thought it was interesting how the movie portrayed the mobs as being easily manipulated by one or two "leaders," and how important one or two people can be when placed in the middle of such chaos. The ability to counter such manipulation with calm (poise, prayer, peace) and love will go a long way in bringing about a smooth transition into the next age.
It occurred to me as the mobs were murdering people in the movie how different it could have been if a handful of people had been giving prayers and devotions in their temples or homes allowing the forces of heaven to prevent the violence before it began. For me, because we are few in number, maintaining our prayer vigils so that such events never occur is the overriding message of AGORA.
Hypatia in the School of Athens?
One of my favorite works of art is the SCHOOL OF ATHENS by Raphael, a frescoe which was painted about 1510 and which can be found in the Apostolic Palace in the Vatican.
When Raphael allegedly submitted the draft of this work to the church fathers for approval, they asked him "who is this woman in the middle?"
He replied "Hypatia, the most famous student of the school of Athens."
The bishops replied "remove her. Knowledge of her runs counter to the belief of the faithful."
Raphael replied "as you command."
Many believe that Raphael altered her appearance and put her into the painting anyway.
Others believe this is an image of Jesus in his youth. Notice that this figure is one of the only figures in the painting looking out at the observer. Why?
So disappointing that even 12 centuries after Hypatia, certain religious authorities were still persecuting her.